Fiction authors must find the way to make their
stories realistic. The relation between the narration and the universe’s rules
is fragile. When a reader encounters a reason to believe that what Roland
Barthes called “reality effect” is broken, the work’s objective – to present a
fiction story as if it were real – is lost.
But there is the opposite equation: What happens when
reality seems unreal? What happens when we experience something that feels like
a dream?
The feature story “The bravest woman in Seattle” by
Eli Sanders made me think about it. In the following passage, I found an example
of it.
“One of the detectives,
a woman named Dana Duffey, would call one day while Butz's partner sat in St.
Louis at one of Butz's favorite places, a bar and restaurant overlooking the
Mississippi River. Detective Duffey would tell her: "We have him."
(And—no joke—fireworks would go off right at that moment across the river, an
accident on the part of some worker preparing for a later show.) ...”
The passage has two messages:
1.
That a detective called Butz’s
partner and told her that Teresa Butz’s murdered had been found.
2.
That something unreal –the fireworks
going off at the moment she receives the good news- happened in real life.
This makes me think that fiction authors must create
plausible stories, while journalists must find improbable events in daily life
stories in order for readers to engage with their work.
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ReplyDeleteI think "suspension of disbelief" is another term used to describe how an audience is captured by a fictional story. The kind of trust that exists in this type of story-reader or movie-viewer relationship can be broken, though, if something ridiculous or unbelievable happens in the story.
ReplyDeleteLike you mention, maybe journalists do need to find improbable events for readers to engage with their work, because improbable events are news. I think that is a limited view of journalism. If it is an improbable event you are writing about, you can just state the facts and it will be compelling. You can also write about a mundane topic in a way that shows it is unique, and that can be compelling too.
News feels like dust and bones, no longer news the moment it's reported. The literary word wears a crepe of expectation.
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