Graphic design isn't journalism, and journalism isn't
graphic design. Designers aren't typically concerned with prose, and
journalists don't usually care about layouts. But they’re always tethered
together in a three-legged race of communication. And sometimes I feel like
good journalism is being slowly murdered by poor design.
At the end of the day, designers have the final say about
how a story looks and reads, and most designers don't actually read the article
before it goes live. Or, worse yet, the website's content management system
automatically controls the layout.
However, there are a few publications that fuse journalism
with graphic design, and the results are incredible.
In 2013, the New York Times won a Pulitzer Prize for SnowFall, an interactive report about the 2012 Tunnel Creek avalanche. And last
year, a couple of journalists launched Epic Magazine, which concentrates on
long form non-fiction.
The news cycle moves far too quickly for journalists to
partner with designers on every story. But are we using the Internet effectively
when designers are a necessary evil instead of an intricate part of the
journalistic process? After all, that's not how we feel about photographers.
Thought the cover for Branch's story was haunting and well designed when I read it for one of Jeremy's assignments too, Josh. No clutter, represents the story perfectly
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